![]() ![]() At a foundation, he is free of that stricture. Dercon is nearing 65, which is the mandated retirement age at state-run French institutions. But Le Monde pointed out on Thursday that Dercon may have made the jump partially for practical reasons. He left the Volksbühne in 2018, less than a year after he had begun there.ĭercon’s new role may seem like an unusual move, since the Fondation Cartier is far smaller than the other institutions he has led and since his contracted term with the Grand Palais is not yet complete. His tenure at the Volksbühne was contentious, with the theater’s works decrying Dercon before he even got there over fears that his program would betray its leftist underpinning. Prior to joining the Grand Palais, Dercon had led institutions like the Haus der Kunst in Munich, Tate Modern in London, and the Volksbühne in Berlin. The space’s reopening is set to coincide with the 2024 Olympic Games in Paris. Since 2019, Dercon has led the Grand Palais, where he has spearheaded the renovation. ![]() It’s known for a contemporary art program that only occasionally includes shows by blue-chip artists. The Fondation Cartier, by contrast, is much smaller in scale and prominence. ![]() Initially opened in 1900 as part of that year’s Paris Exposition, its permanent space is also known for showing large-scale contemporary art commissions. In addition to staging Art Basel, the Grand Palais mounts blockbuster art exhibitions. FIAC’s status for this year remains unknown. According to the French daily Le Monde, Dercon himself was one of the architects behind the deal with Art Basel. To obtain a venue with the Grand Palais, Art Basel effectively booted out FIAC, an esteemed annual fair in the French capital. Art Basel's Paris+ Fair Kicks Off with a Tense Press Conferenceįrench Dealers Cast Doubt on FIAC's Future as Art Basel's Paris Fair Takes the Spotlight
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